MARC details
| 000 -CABECERA |
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| campo de control de longitud fija |
04490 a2200277 4500 |
| 008 - DATOS DE LONGITUD FIJA--INFORMACIÓN GENERAL |
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| campo de control de longitud fija |
250318s########|||||||||||||||||||||||#d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
978-1-78627-057-3 |
| 040 ## - FUENTE DE CATALOGACIÓN |
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| Centro catalogador/agencia de origen |
GAMADERO2 |
| Lengua de catalogación |
Español |
| Centro/agencia transcriptor |
GAMADERO2 |
| 041 ## - CÓDIGO DE IDIOMA |
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| Código de lengua del texto/banda sonora o título independiente |
Español |
| 050 00 - SIGNATURA TOPOGRÁFICA DE LA BIBLIOTECA DEL CONGRESO |
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| Número de clasificación |
LCC |
| 100 ## - ENTRADA PRINCIPAL--NOMBRE DE PERSONA |
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| Nombre de persona |
Colin Davies |
| Numeración |
498 |
| 245 ## - MENCIÓN DEL TÍTULO |
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| Título |
A new history of modern architecture / |
| 250 ## - MENCION DE EDICION |
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| Mención de edición |
1 |
| 260 ## - PUBLICACIÓN, DISTRIBUCIÓN, ETC. |
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| Nombre del editor, distribuidor, etc. |
Laurence King Publishing |
| 300 ## - DESCRIPCIÓN FÍSICA |
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| Extensión |
500 páginas |
| Dimensiones |
22cm de ancho X 29cm de alto |
| Otras características físicas |
Ilustraciones, Tablas y Gráficas |
| 490 0# - MENCIÓN DE SERIE |
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| Mención de serie |
Serie |
| 504 ## - NOTA DE BIBLIOGRAFÍA, ETC. |
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| Nota de bibliografía, etc. |
Incluye Referencias Bibliográficas |
| 505 ## - NOTA DE CONTENIDO CON FORMATO |
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| Nota de contenido con formato |
CONTENTS<br/><br/>Introduction<br/>Alt O<br/>Inge Part<br/>Control<br/> Le Corbusier Part 2| 1932-1965<br/>Factories 1902-1942<br/>Expressionism 1914-1941<br/>Dutch Modernism | 1915-1931<br/>German Modernism | 1919-1933<br/>Le Corbusier Part 1| 1906-1932<br/>Mies van der Rohe in Germany 1907-1938<br/>Russian Constructivism | 1917-1936<br/>Wright, Schindler and Neutra | 1911-1938<br/>Art Deco and the Skyscraper 1925-1939<br/>Modern Classicism | 1923-1942<br/>Modernism in the USA | 1932-1972<br/>Domes, Shells and Tenis | 1952-1973<br/>Alvar Aalto and Hans Scharoun | 1924-1971<br/>Mass Housing | 1949-1968<br/>Art Nouveau and Adolf Loos<br/>1881-1930<br/>Houses 1891-1911<br/>3 National Romanticism, the New Tradition and the Beaux-Arts 1893-1923<br/>Steel and Concrete: Pioneers and Visionaries 1891-1923<br/>Latin American Modernism | 1932-1982<br/>Brutalism 1954-1977<br/>Louis Kahn Monumental Modernism | 1953-1982<br/>'Non-Western' Influences |<br/>1937-1991<br/>24 Postmodernism | 1964-1990<br/>Neo-Rational<br/>1967-1991<br/>High Tech | 1967-1991<br/>Japan 1945-2000<br/>28 Deconstructivism | 1982-1995<br/>Rem Koolhaas and OMA | 1991-2004<br/>"The Architecture of the Well-Tempered Environment' Revisited |<br/>1973-2007<br/>"Context' and 'Materiality | 1963-2012<br/>Digital Futures 1994-2012<br/>China | 1911-2012<br/>Notes<br/>Bibliography<br/>Index<br/>Picture credita |
| 520 ## - RESUMEN, ETC. |
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| Resumen, etc. |
INTRODUCTION<br/><br/>Photogenel and enjoyable history of Омний апостыеmу first century architecture. A story orches the same as history of building. A hưng of building might stme for completeness, to 'cover to grund extematically and tectisely, assessing the pertense of atterent building technologiens or ofuftentation on powerment policies. Such a might frame take the trouble to study popular The Cape Cod and tanch style homes of the Ameshurta perhaps or the factory as building hoading the chesap portal framed sheds that shelter mactum spermats all over the world A history of antecore on the other hand will pay scant attention to fhose numerous but anonymous tuidings on the grounds that they are aftastically unmenting Architecture is the buildings tut not of all buildings. And architectural Tratory came only a small schon from the minonity sings that quify architecture<br/><br/>The same architecture as in any art, is an imperfect Phing of of Duturtions and entices. But that doesn't mean fact it into the progress of the www.chectural conversations in books and atbos and conturama, and in schools of two be greatly impoverished. The canon<br/><br/>the pool of shared knowledge that unites architects all over the world and gives them their collective identity. When one architect mentions the Villa Savoye, another immediately sees a picture in his or her mind and is prepared to join in the discussion. A thorough knowledge of canonical buildings is essential to every serious architect and student of architecture, and this book is designed to help with the gaining of that knowledge.<br/><br/>In theory it would be possible to reject the canon completely and start again from scratch, reordering the evidence of the past in proportion to its artistic and social importance. In practice, however, such a history would probably be no less biased and selective than the histories it sought to supplant. And in throwing out the canon, one would be throwing out agreed standards of comparison and judgement that are the foundation of architectural culture. On the other hand, the canon must never be completely sacrosanct. Any new history has a duty to reassess it, to question the value of certain of its members and promote less familiar ones. That is what this book sets out to do. It is not revolutionary, but neither is it slavishly conservative<br/><br/>In reassessing the modern architectural canon, one question has to be considered especially carefully: the relative |
| 526 ## - NOTA DE INFORMACIÓN SOBRE EL PROGRAMA DE ESTUDIO |
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| Program name |
Arquitectura |
| 942 ## - ELEMENTOS DE ENTRADA SECUNDARIOS (KOHA) |
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| Tipo de ítem Koha |
Libro |
| Fuente del sistema de clasificación o colocación |
Clasificación Decimal Dewey |
| Edición |
1 |
| 945 ## - CATALOGADORES |
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| Número del Creador del Registro |
1 |
| Nombre del Creador del Registro |
admin |
| Número de último modificador del registro |
1261 |
| Nombre del último modificador del registro |
Jenny Viridiana Quiroz Linares |
